I’ve been wanting to read this for some time – probably ever since I read The Feast of the Goat by Mario Vargas Llosa, a Peruvian writer. I was majorly disappointed.
The story is basically about 4 Mirabel sisters and their trials at the hands of the Trujillo regime in the Dominican Republic. Three of the sisters were assassinated by unknown persons. Llosa’s book was much, much better. This seems overladen with dialogue to me – way to much for historical fiction. The history gets lost in the specifics.
At the very end Alvarez notes that except for the background material, this is pretty much entirely fiction – I could tell.
From the great Wiki:
Trujillo: Rafael Leonidas Trujillo, also known as “El Jefe” (“the Chief”), the main antagonist of the novel. He is the self-appointed dictator of the Dominican Republic. A harsh ruler, he demands complete obedience of everyone and commits many cruel and unjust acts against his people, such as imprisonment without trial, confiscating land and possessions, and torture. Though married, he has many affairs with young girls who he keeps in houses around the country. He is also identified as a rapist. As his regime falls apart, he becomes even more vicious and cruel, and eventually has the Mirabal girls (all except for Dede) killed, when they become too much of an opposition to his decaying power.
Patria: The oldest of the Mirabal sisters, she is very religious. While looking for her calling from God, she instead finds her husband, Pedrito, whom she marries at age 16. Her faith wavers intensely as a young woman. She takes the fetal death of her third child as a punishment from God, which drives her further into a religious depression. She later regains her faith on a pilgrimage to Higuey that she takes with her mother and sisters. She has three children: Nelson, Noris, and Raul Ernesto. She is also a revolutionary, starting a Christian revolutionary group and merging it with her sister Minerva’s revolutionary group.
Minerva: The third Mirabal sister, and certainly the most headstrong. She is quite intent on law school as a young girl, and succeeds in completing it as an adult, although her license to practice is withheld by Trujillo as revenge. She has a brief romance with the revolutionary leader “Lio” before she meets Manolo in law school (also a revolutionary), and marries him. She has one daughter, Minou, and one son, Manolito.
Dedé: Dede is the second Mirabal sister. She is not as certain about the revolution as her sisters, and feels weaker because of that fact. She has mixed feelings about joining the revolution, so she doesn’t. She uses her husband, Jaimito, as the reason she doesn’t officially join. He doesn’t want her involved in the revolution, and the conflict almost tears their marriage apart. She is constantly worrying about her sisters, telling them they’ll be killed. Eventually her predictions come true. She has three boys.
Minou: One of Minerva’s children, Minou was born around 1956. Like her mother, she is strong-willed and independent.
María Teresa: The youngest of the four Mirabal sisters, she is very materialistic. She is married to Leandro and has one daughter, Jacqueline. She joined the revolution while living with her sister Minerva because she wanted to feel worthy of Leandro. María Teresa matures into a strong revolutionary woman.
Mamá: Mother to the Mirabal girls, and married to Papa. She takes care of the girls and is always worried about them.
Papá: Father to the Mirabal girls, and married to Mama. He heads the family store.
Pedrito González: A farmer. He married Patria Mirabal when she was 16, on February 24, 1947. He and his wife eventually join the revolution, along with their son, Nelson. He is later imprisoned, along with his brothers-in-law, Leandro and Manolo, for participating in the revolution. He and Patria have three children: Nelson, Noris, and Raulito.
Fela: A worker for the Mirabal family who claims to be a fortune teller. After the girls die, she claims to be possessed by them. Minou goes to Fela for a time to “talk” to her mother after her death.
Don Manuel: Trujillo’s right-hand man. Manuel is very “tall and dapper” (page 110). He is a corrupt politician, like many of Trujillo’s cronies. Manuel does many of Trujillo’s odd jobs, such as delivering messages and threats for him.
Virgilio: Virgilio Morales, nicknamed “Lio”. He is a revolutionary, but unlike most, he is not underground. He speaks out publicly against the government, which is considered suicide. Lio was forced into hiding because of his actions against the government. He was very close to Minerva before he fled the country. He asked her to flee with him but Minerva did not get the letter in time because Dedé burned it rather than give it to her.
Jaimito: Jaimito is Dede’s husband and cousin. Jaimito and Dede live on his farm after they are married. He is opposed to his wife’s family’s involvement in the revolution, and forbids her to join. When he and Dede were first married he was kind, but over the years he and Dede drift apart. He cares deeply for his boys.
Sinita: Minerva’s good friend, whom she met at Inmaculada Catholic School for Girls. She later goes to Santo Domingo and becomes a revolutionary, just like Minerva. All the men in Sinita’s’ family were killed by Trujillo, the last when she was a young girl, anchoring her deep-seated hatred of Trujillo.
Rufino de la Cruz: The Mirabals’ driver whenever they rented a car to go over the mountains to visit their husbands in prison, he was very loyal to the “butterflies”, and they trusted him wholeheartedly. He was murdered along with the Mirabal girls. He has a wife and one child.
end of Wiki
The story opens in 1994 with Dede being interviewed about the deaths of her sisters by a journalist. She lives in the old house, has had to go over this many times for many people.
The scene switches to her story back in 1933 when the girls were small and her memories of life with her parents.
The following Chapters and Parts give the pieces of the story in chronological chunks and from the point of view of each of the girls – see above. Each Part opens with Dede’s interview with the journalist. There is some mention of the tricks of memory but I think that’s to allow for gaps and variations between the story and the “facts” of the historical evidence. At Part IV the journalist leaves and Dede is left with her memories.
Video clip of Dede speaking, some of the descendants on the 50th anniversary: